Am I the only one with a dark hulled 190 / 192 with this problem? There are other boats that have dark hulls tied up where I'm at using cheap as hell bumpers that are hard and there is not a scratch on their hulls. I used the 3M system to buff out the marks and it worked really well.įor this upcoming season here up North, I'd like to come up with a solution that will keep my boat hull marks to minimum. I also have been very vigilant to ensure tension on ropes to cleats is appropriate and have even experimented with tension adjustments at various times to see if I make things better using this approach. I have changed my spot on the dock and the orientation of my boat in relation to the waves to see if it would make a difference. First set was white (big mistake) for leaving whitish marks on hull however, second set I bought black (super soft) Dockmate bumpers and the same thing is happening- just to a lesser degree than the white ones. Both have been good quality and super soft. This motion is creating marks on my black hull. There is quite a bit of boat traffic and the wave 'action' causes repetitive motion of my boat against bumpers. The boat is a BLACK AR 190 that is docked in water for a week at a time when in use. Maybe swapping out the crunchy options for a couple more acoustic models would have made it even more useful, but this remains an appealing six-string multi-tool and a genuine problem-solver for many gigging players.Just looking for a little advice regarding choice of bumpers for my 2015 AR 190. “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar.
#Dockmate dock bumper fender white series#
The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.”
A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing.
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